Volume 3, No. 8.   April 25, 2003

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Eric's Turn

ACE of diamonds
They are revered. They are reviled. Often by the same people.

They are coaster enthusiasts.

Our industry has a love-hate relationship with enthusiasts. Enthusiasts are perfect PR fodder for media days, make great models for video shoots of new rides and are the primary perpetrators of good buzz for a ride or a park. All you’ve got to do is feed ’em and give them some ERT. Many enthusiasts also behave like over-demanding, spoiled brats, grow oversized chips on their shoulders and tend to regard the “GP” (general public) as flotsam to be skimmed out of their way, ignoring the fact that buzz is nice, but GP’s pay the parks’ bills.

Say what you will about individual enthusiasts, but you cannot deny the huge impact the American Coaster Enthusiasts, ACE, has had on our industry in the club’s 25-year history. Is it coincidence or correlation that the industry’s post-Roaring 20’s heyday, spurred by the steel “coaster wars” and the resurgence of classic woodies, came about during ACE’s lifetime? I think it’s correlation, though determining which spawned which is a chicken-and-the-egg argument.

True to its name, though, ACE bred enthusiasm for coasters among the paying public during the coaster war years. At the same time, the organization held dear one of the primary tenets of its charter: to preserve classic coasters and celebrate the amusement industry’s history. Even as its members were looking for the latest, greatest thrill, they were campaigning to keep many of the traditions of amusement parks intact and, in some cases, campaigning to keep traditional amusement parks alive. Not only did they generate some business for these parks, but their ideals were eventually embraced by the cyclic nature of consumers who now desire traditionally Americana experiences.

ACE is in the middle of celebrating the 25th anniversary of its founding after a coaster riding marathon at Paramount’s Kings Dominion in Doswell, Virginia, to promote the just released Hollywood thriller Rollercoaster. The celebration began at last year’s annual Coaster Convention at Six Flags Magic Mountain (THE LOOP, June 28, 2002), where one of the club’s founders, Richard Munch, rode the Revolution coaster with Rollercoaster star Timothy Bottoms (photo above). The yearlong celebration concludes this June when the annual Coaster Convention returns to Kings Dominion as well as Busch Gardens Williamsburg June 15-21.

Meanwhile, the organization is moving forward on establishing the National Roller Coaster Museum and Archive. It already has a large collection of coaster cars and amusement park memorabilia and is raising money to find a permanent home to exhibit these items for the public (THE LOOP, November 26, 2002). The fund-raising campaign, run by a separate not-for-profit entity but launched with a $250,000 contribution from ACE itself, aims to raise $500,000 over the next three years.

THE LOOP is joining in both of these endeavors, and invites you, both industry supplier and operator, to participate. We will be publishing our pre-Coaster Con issue May 23 containing features, tips and schedules to assist not only Coaster Con participants but anybody who may someday descend on the Virginia parks. We will publish our post-Coaster Con issue June 27 containing a report on the convention’s news and events plus a first-for-the-industry survey on rider and patron preferences. We are offering special advertisements for these issues—hot-linked to web sites, of course—and for every ad we sell, 20 percent will be donated to the National Roller Coaster Museum and Archive Fund.

This is an opportunity for you to congratulate ACE and support their worthy efforts, a chance for you to build your future and your past. For more information on the advertising special, click here.

Clarification
In the April 11, 2003, edition of THE LOOP, a story about George Mason University’s new tourism degree program and internship opportunities prompted a letter from George Mason alumnus Mark Riddell, the public relations manager at Paramount’s Kings Dominion. He recalled his alma mater being located in Fairfax, Virginia, not Manassas, Virginia, as reported in our story. He’s right, the main campus is in Fairfax. The university also has a campus in Arlington, Virginia, and in Manassas. The Department of Health, Fitness and Recreation Resources' Tourism and Events Management Program offers their major and minor degree on both the Fairfax and Manassas campuses. The HFRR's main office and all five tourism faculty are located on the Manassas campus.


THE LOOP is written and produced by Eric Minton, Minton Enterprises, LLC. To see more examples of Eric Minton's work and Minton Enterprises services, visit www.ericminton.com.

 


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