Volume 2, No. 15.   August 9, 2002

 

THE LOOP Home Page

THE LOOP Current Issue

THE LOOP featuring this story

THE LOOP Archives

The big Event
One unmistakable trend in the amusement industry is the move among parks to stage multi-day thematic events; festivals centered on a genre of entertainment, crafts or other activities. The trend has now attained a key milestone: its own bureaucratic entity.

Dollywood in Pigeon Forge, Tennessee, has just formed a new Special Events department dedicated solely to improving the park’s current annual events and creating new ones. Heading the new five-person division is Dave Anderson, who for 15 years served as Dollywood’s Director of Attractions, which had special events under its purview.

“We see special events as a significant growth opportunity for the company,” Director of Special Events Anderson said. “It’s grown too big to be part of another team.” Currently Dollywood hosts the Festival of Nations in the spring, the Fall Harvest Celebration in October which includes an annual Woodcarvers Showcase and the Southern Gospel Jubilee, and the Smoky Mountain Christmas in November and December. “We’ll be able to expand on all three of those and add new events,” Anderson said.

One of Anderson’s Special Events Managers, Jane Groff, moved over from the Attractions Department where she was in charge of coordinating the show elements of special events. That is the only position transferred into the new department; the other three—a second special events manager (Cyndi Padgett), an administrative/production assistant (Carol White) and a special events production coordinator (Rolando Camacho)—are newly created positions. The new department answers directly to Dollywood General Manager Ken Bell.

“Our job is to define what events we want and help develop the initial concepts,” Anderson said. “Then we will facilitate the park management team to bring all elements of the park together to support the event and hopefully deliver an entertaining product that contains a wide range of elements including shows, food, merchandise and street entertainers.”

Dollywood has capably staged festivals because its disparate departments and talent pools willingly contribute themselves to the event. Given the sense of teamwork that already exists, creating a Special Events team might seem redundant, but Anderson credits that existing cooperation for spawning the team. “On the surface special events look like they just appear; in reality, we’re working events well in advance, and it’s an intense type of business. Just getting the lead time is an issue. We need to book events further in advance and give the marketing folks time to build the marketing plan and create awareness for something that lasts for just a limited time.”

Looking to grow its events is in part an answer to another development at Dollywood; or, rather, a restriction on development. “We’re in a position where we can’t add a new ride or attraction or area to the park every year,” Anderson said. “For the in-between years we can add what we call software elements. It’s another motivation for our season pass holders and would give the local market a reason to come back to the park.” Furthermore, in those years when the park makes a major capital investment, the events team can appease the non-riders with smaller-scale new events, he said. “Our audience is pretty evenly divided. It’s hard to please them all every year.”

 


212.265.0043
lvhnyc@msn.com


©2002, Minton Enterprises LLC
All rights reserved

THE LOOP Home Page

THE LOOP Current Issue

THE LOOP featuring this story

THE LOOP Archives