Volume 2, No. 16.   August 23, 2002

 

THE LOOP Home Page

THE LOOP Current Issue

THE LOOP featuring this story

THE LOOP Archives

New Arrivals

It’s a Bible gallery!
The Holy Land Experience in Orlando, Florida, announces the arrival of The Scriptorium—Center for Biblical Antiquities, August 19, 2002. Measurements: 17,000 square feet (1,579 square meters), 12 galleries, 75 items on display of almost 1,100 in the collection. Delivered by Fourth Phase, ITEC Productions, Jack Jennings & Sons, Sparks Exhibits and Visible Sound.


When he opened the Holy Land Experience in February, 2001, an actor-filled representation of Jesus Christ’s homeland, Marvin Rosenthal, executive director of Zion’s Hope and the theme park’s owner, intimated that the park’s crown jewel was yet to come.

It has come. The Scriptorium serves as a repository and museum of rare bibles, including artifacts from the Van Kampen Collection. On display are clay cuneiform tablets, papyrus scrolls, illuminated parchment manuscripts, hand-copied bibles and a fragment of the Gutenberg Bible. However, true to modern Orlando theme park presentations, the Scriptorium is more of a walk-through experience than a museum, as groups of guests are prompted from scene to scene via visual and audio cues. Produced by ITEC Productions, which also produced the Holy Land Experience, each Scriptorium scene showcases various artifacts with technological effects and animatronics.

After a two-week soft opening period to work out the kinks in timing—“It is a unique flow, trying to take groups of 12 to 15 people and stagger them through the facility,” said Bill Coan, a partner at ITEC—the Scriptorium was previewed for the press last Thursday and opened to invited guests Friday and Saturday evening. On Monday, Rosenthal hosted a Bible study conference at his Holy Land Experience complex and allowed those 500 participants to be the first public patrons to pass through the new Scriptorium.

 

©2002, Minton Enterprises LLC
All rights reserved

THE LOOP Home Page

THE LOOP Current Issue

THE LOOP featuring this story

THE LOOP Archives