In this issue:
(To go directly to a story, click on a blue keyword below):

Dorney Park introduces tactile maps for its blind guests;

ACE launches a silver celebration with a star-studded gathering;

Futuroscope takes a new look at its own future;

Cyclists take to the paths at the Phoenix Zoo;

Texas' Wonderland finds effective advertising mediums on the roads and in the wind;

World-class triathletes take up the Challenge at Wild Rivers Waterpark;

We welcome Xcelerator to Knott's Berry Farm; a veterinary center to the Los Angeles Zoo; elephant and lemur exhibits to the Indianapolis Zoo; the Sccoby-Doo Spooky Coaster at WB Movie World in Australia; a 3D film to Santa's Village; an interactive play center to Wild Waves and Enchanted Village; sharks to the Aquarium in Long Beach, whales to the Six Flags in Ohio, and animatronic bears to Black Bear Jamboree; and,

We mark a significant 10th with our significant others.

For back issues of THE LOOP,
click here

For a printable version of this column,
click here

For more information on the facilities and organizations featured in this newsletter, visit our Connections Page.
click here

A feel for direction
A primary desire among people with visual impairments is independence, the ability to experience life without the constant assistance of another person. Dorney Park in Allentown, Pennsylvania, has made a significant step forward for the blind community in this regard with what may be the industry’s first portable tactile park map.

“This is one way we try to be proactive adding to our guest services,” said Chris Ozimek, the park’s public relations manager. Other attractions have tactile maps on large display boards, and at least one has a book similar to Dorney’s available for review at guest relations. Dorney has three such maps—a spiral-binder of nine 8-by-10 pages representing the eight different sections of the park and one explanation page—that blind guests may carry with them throughout Dorney.

Available at guest relations, the maps require no deposit. “If they don’t bring it back, we can get more,” Ozimek said. “That’s part of working with the Association for the Blind and Visually Impaired.” Dorney approached the association’s Lehigh County chapter with a request to do the maps, and the Association put its creative talents and technology to work.

The tactile map is based on Dorney’s fun guide maps. Elements of the park are raised on the page and differentiated by varying textures, such as checkerboards, herring bone and solid blocks. The key is in Braille. Association staff built the tactile map on computer, then photocopied the images on a touch paper that is run through a ZY-Fuse standard heater, creating the raised images. The braille is typed out on a Juliet Embosser.

With the maps now programmed in the Association’s computers, they easily can be duplicated or altered. Dorney is paying for the creation of the maps; the Coplay Lions and Lioness clubs helped the Association purchase the ZY-Fuse standard heater.

Next week Dorney Park will roll out another new customer service initiative, a low-tech child locator system called Kid Track. Parents and their children are fitted with a wristband that lists a cell phone or pager number, a security code and a personal verification number. When children lose their parents, the park’s security personnel will be better able to track down the separated parties and match them up with the information on the wristbands.

Print this article

Comment on this article

Back to top

Bottoms got a Bush-like welcome from ACErs, then gamely returned to the scene of his last Rollercoaster run for a ride with an idolizing scriptwriter. Photos by Eric Minton.

Bottoms' up
You would have thought President George W. Bush had entered the Golden Bear Amphitheater at Six Flags Magic Mountain in Valencia, California. The cheers for the man stepping into the spotlight June 16 were loud and long. And if you had thought the president had graced the stage that Sunday evening, you would not have been entirely wrong; Timothy Bottoms’ most recent role was playing the U.S. president on the Comedy Central series That’s My Bush!

The sustained ovation for Bottoms, however, came from an audience of coaster enthusiasts cheering the actor who played the extortionist in the film Rollercoaster. That 1977 thriller helped spawn the American Coaster Enthusiasts when, as a publicity stunt, the film’s producers organized a coaster-riding marathon at Kings Dominion in Doswell, Virginia, one of the film’s settings. Three of the marathoners —Richard Munch, Roy Brashears and Paul Greenwald—decided to start the club, which now has a membership of 8,000.

Kicking off an 18-month celebration of ACE’s 25th anniversary, the club launched its 25th annual coaster convention with a panel discussion featuring some of the talent that produced Rollercoaster. Seated on the amphitheater stage just yards down the midway from the Revolution where the movie’s climactic scenes took place were scriptwriter William Link, cinematographer David M. Walsh, designer Henry Bumstead, the wife of producer Jennings Lang, Monica Lewis Lang, who had a small role in the movie as a tourist at Magic Mountain, and Bottoms, along with Munch and moderator Alan Jay Glueckman. Afterward, the audience moved to the Magic Moments Theater for a screening of Rollercoaster in Sensurround.

For the occasion ACE auctioned off a ride with Bottoms on Revolution, his first time on the coaster since he was filmed riding it 25 years ago. “I rode it a lot 25 years ago,” said the actor who then and now harbors a fear of coasters. But with bon vivant he took the front seat with Richard Hatem, a scriptwriter from Pasadena whose credits include The Mothman Prophecies. Hatem bid $675 for the right to the ride, fulfilling what he said was a dream. “I’m completely obsessed with Rollercoaster because that’s what inspired me to go into scriptwriting,” Hatem said. “I learned a lot about structure and character from that movie.”

On this night Bottoms learned that he has an ardent fan base among coaster lovers. “It fed my ego,” he said of the reception he received in the amphitheater. “On Bush I got fed pretty good, but this is really cool."

Print this article

Comment on this article

Back to to

Scoping out a future
The new Destination Cosmos show at Planète Futuroscope in Jaunay-Clan, France, exits next to a gift shop, a typical strategy at theme parks today. At this shop, however, guests can purchase a telescope, among other interplanetary-themed wares, and that exemplifies as much as anything what sets this 300-hectare (741-acre) park near Poitiers apart from any other.

Differentiating from France’s other amusement parks has helped Planète Futuroscope total 27 million visitors in its 25-year history. But it needs to do better to sustain its high-tech environment, so new Director Generale Philippe Laflandre this year is embarking on a strategy to grow attendance and encourage repeat visits while looking at ways to cut operational costs, including cutting back from a year-round schedule.

Opened in 1987, Futuroscope offers 20 attractions, including 15 stunning geometric structures each housing a different type of cinema, from surround-screens to 3D movies. “We are the only place in the world where you can have the six different Imax processes in one place,” Laflandre said. The park saw double-digit attendance growth its first six years, and by 1996 management was so encouraged at the success it expanded the park’s calendar from nine months to year-round.

“That grew a lot of expenses,” said Laflandre, who came to Futuroscope 14 months ago after serving 10 years at Euro Disney where he was vice president of theme parks. Meanwhile, attendance has been decreasing since 1999, dropping from 2.3 million in 2000 to about 2 million last year.

The park changed its name in February from Parc du Futuroscope to Planète Futuroscope as part of a European-wide get-re-acquainted marketing campaign. For the venue itself Laflandre decided on a course of “optimization of what is already built” rather than overhauling the physical plant. In other words, he plans to replace five of his films and shows every year. “Let’s say I have this thing that is not giving the highest satisfaction in the park, so I refurbish it and put something new in its place,” he said. “Therefore I avoid spending my scarce money on digging and building walls.

This year the park introduced Plongeurs sans Limite (Ocean Men) about dueling breath holding divers, Les ailes du courage (The Wings of Courage), the true story of a pilot who survived a crash in the Andes, Sur les traces du Panda (The Panda Adventure) portraying a woman’s quest to site a giant panda in China, and Destination Cosmos. Planète Futuroscope also opened a new multi-media nighttime extravanganze, Le Miroir d’Uranie (see the New Arrival on this show in THE LOOP, February 8, 2002).

All of its films have an educational element to them, securing a core school group business which comprises about 20 percent of attendance, Laflandre said. Another 20 percent of his gate comes from group sales. The rest are individuals and families, and the park already has a return rate of 45 percent. To increase both those last two sectors Planète Futuroscope will be hosting new entertainment programs to prompt local patrons in particular to return often during the course of the year.

In conjunction with its space theme for this year, the park staged an E.T. festival that ran from February to April 4, when the reissued Steven Spielberg movie opened in France. “The rationale of our marketing thrust was that ET gave as a rendezvous to his extraterrestrial friends the only place it could happen, which is Futuroscope,” Leflandre said. The park is planning a Brazilian folk festival for the summer and something for Halloween and Christmas. This, though, could be the only Christmas festival the park stages; beginning in 2003 Leflandre is planning to close the park from Halloween to February.

“Our plan is to grow attendance in ’02,” he said. “Even maintaining 2 million would be a good number for me, but there are chances we could do better.”

Print this article

Comment on this article

Back to top

Phoenix Zoo guests are borne to the wild on rental bikes. Photo courtesy of the Phoenix Zoo.

Bicycle built for zoo
Zoos are close cousins of the city park, even those that are not part of, or grew out of, city parks. Today’s zoos share many qualities with parks: spacious byways, plentiful flora, greenspace, shady places, large lakes and, of course, wildlife. Now the Phoenix Zoo in Phoenix, Arizona, shares an attribute common to many city parks: bikes and paddleboats.

Last year Wheel Fun Rentals set up a concession as part of the Phoenix Zoo’s annual summer promotion, which included extended evening hours. “They were so successful that we looked to have them come in full time,” said Aimee Barwegen, the zoo’s director of media and public relations. Four months ago the rental company moved in permanently and began offering four-seat and two-seat bikes, in addition to standard one-seaters.

Guests can take self-guided paddleboat tours on the lake, where they can see lemurs, spider monkeys and scarlet macaws. Cyclists can use the zoo’s main walkways to cover the zoo’s 125 acres (51 hectares). “We ask them to watch their speed, and most do,” Barwegen said. “You have the challenges with crazy teen-agers flying down the hills, but the results have been more positive than negatives."

Print this article

Comment on this article

Back to top

Tale gating
In the Texas Panhandle sometimes the only sign of human life you’ll see is a truck hauling grain or milk down a two-lane blacktop criss-crossing the arid plains. And on that truck, you might see a billboard advertising Wonderland Amusement Park in Amarillo, Texas.

“It’s sort of like bus benches or taxi cabs, but it’s on trucks, because that’s who goes through the area,” said Paul Borchardt, president of Wonderland Park. By “area” he means “region,” a geographic reach of 27,000 square miles. “You have to be careful whose trucks you put it on. You want only those who will keep their trucks clean.”

His choice is a local trucker with a fleet of about 20 rigs who hauls grain to the elevators and railroad yards. The advertisements are placed on a large sheet of mylar which is stuck on an aluminum board hung on the back of the truck. “They wanted to put it on the sides, but I wanted it on back,” Borchardt said. After all, on the area’s two-lane highways, many drivers spend a long time looking at the back of a truck. As Borchardt noted, “Frequency of signboards is a good thing.”

Borchardt has secured another medium to get his message out throughout the region: the weather. On top of the Texas Tornado roller coaster sits a weather station and video camera with the capability to zoom and rotate 360 degrees. The local CBS Television affiliate's weather reports include broadcasts views from the Wonderland Cam. The park also sponsors weather reports on local radio stations, who get their meteorological data from the Wonderland weather station, data which also appears on the park’s web site. So, whereas in most cities the typical tag line for weather reports is “the temperature at the airport is. . .” around Amarillo deejays and forecasters say “The temperature at Wonderland is. . .”

“Everywhere you go, everybody says what the weather is at Wonderland,” Borchardt said. “If they think of weather, they think of Wonderland."

Print this article

Comment on this article

Back to top

Triathletes ran, swam and slid their way through Wild Rivers in the annual Waterpark Challenge. Photo courtesy of Wild Rivers Waterpark.

A good sport
What started as a training and camaraderie tool for its lifeguards has turned into an annual event for triathletes at Wild Rivers Waterpark in Irvine, California. The Wild Rivers Waterpark Challenge, run in conjunction with an annual 5K race at the park and its adjacent property, requires competitors to run through Wild Rivers taking on every slide and ride.

The program was championed by Jon Colletti, Wild Rivers’ controller, who ran track and cross country in college. “I like running,” he said, and as a former lifeguard he enjoyed the park’s olympics. With his knowledge of organizing such races he teamed with the park's operations staff to turn the waterpark into a fun-filled steeple chase. Competitors start in groups of three every 15 seconds from the Hurricane Harbor bodyboard wave pool. Swimming and then running out through the waves they wind through the whole park, swimming through the Monsoon Lagoon wave pool, climbing towers and sliding down racing slides, body flumes, tube slides and chute rides.

“When we started talking about opening it to the public three years ago, I couldn’t believe we were going to do it,” said Kevin Kopeny, director of operations. But competitors came aplenty. Last Saturday’s third annual running drew 500 contestants, twice the number that took on the two-mile course last year. “Everybody is already talking about next year,” Kopeny said Saturday afternoon just hours after competitors ranging in age from 7 to 69 tackled the two-mile course.

Michael Collins, 36, won the $500 first prize for men with a time of 12:10, 35 seconds off the record run & slide last year, and 29-year-old Julie Swail bested all women with a time of 13.55. More impressive was the man who took the $250 second place prize in the Waterpark Challenge, Brad Kahlefeldt, a 22-year-old from Australia, who earlier had won the 5K race.

That is one of the unexpected benefits the park has realized in opening its in-house Lifeguard Olympics competition to the public. Triathletes from near and far are descending on Wild Rivers to compete, and the local media is noticing. “It’s good for the waterpark, and for the waterpark industry, because it positions us as a physical activity, and not just a fun place for families,” Kopeny said.

Print this article

Comment on this article

Back to top

 

Eric's Turn

Love, reign over us
Like any fledgling business or publication, we are big at celebrating, however briefly, each milestone THE LOOP surpasses. Many of those first achievements and benchmark moments we have shamelessly bragged about in this space over the course of our first 35 issues and 17 months (514 days, 12,342 hours, 740,520 minutes) of publishing.

So tolerate me this once more as I mark yet another important milestone—not just for THE LOOP, but for my life—and in the course of doing so pay tribute to a key member of our team. That would be Sarah Smith, above savoring a bowl of the world’s best potato salad at Del Grosso’s Amusement Park in Tipton, Pennsylvania. Sarah not only is a principal in the company, she is, as of today, my wife of 10 years.

I would be remiss in not publicly acknowledging her contributions to the success of THE LOOP. She maintains our email database, assists in the biweekly production of the newsletter and provides keen insights into improving the efficiency of our operation. Her work here is tireless, which is all the more remarkable in that she has another important full-time job that takes up more than 12 hours of most of her days.

Most important of all, she has been a continuous source of inspiration and encouragement through all of our years together and most especially the past 17 months as I struggled to keep THE LOOP publishing through economic hardships and technical hiccups. ]

Because our anniversary has come on a night we are publishing THE LOOP, we’re not doing much formal celebrating of this significant 10th. But, then, we try to celebrate every day we spend together as significant. And producing yet another LOOP is in itself something of a celebration of our teamwork and companionship.

Regarding both, THE LOOP and our marriage, in the intensity of this moment, I can proudly boast of two of my finest achievements ever: publishing this our 35th issue, and hearing Sarah Smith reply “yes” almost 12 years ago, and say "I do" 10 years ago this day.

Sarah keeps building our database with subscriptions, and if you wish to add yourself or a colleague to our subscription list and receive our free email notifications, email her at sarah@gettheloop.com.

If you are interested in advertising in THE LOOP, especially with trade show season coming and the parks and zoos enjoying record-breaking attendance, contact our advertising manager Lynne Mosman by emailing to lynne@gettheloop.com.

If you wish to list your facility or association on our Connections page or comment on THE LOOP, contact me at eric@gettheloop.com.


Print this article

Comment on this article

Back to top

 

 
Volume 2, No. 12.  June 28, 2002
212.265.0043
lvhnyc@msn.com

Six Flags partners with Frito-Lay

Hawaiian Aquarium hires former Newport exec

Nashville theme park project on hold

Ocean Journey gets escrow funds

Universal moves Halloween to Islands

Dominion restarts Hypersonic; announces 305-foot drop ride

NBGS collaborates with Wizard Works

Paramount changes two GMs

Magic Planets planned for Egypt

For updates, click Extra! Extra!


Would you like a free subscription to
THE LOOP?
Click here
to receive your direct link to every newly published newsletter


If you have a comment
or question contact Eric Minton
eric@gettheloop.com
1-703-567-0532

©2002, Minton Enterprises LLC
All rights reserved

 

 

 

New Arrivals

Xcelerator added several twists to popular modes of transportation when it opened at Knott's Berry Farm. Photo by Eric Minton.


It’s a roller coaster!

Knott’s Berry Farm in Buena Park, California, announces the arrival of Xcelerator, June 22, 2002. Measurements: 205 feet high (62 meters), 2,202 feet long (667 meters), 82 mph (131 km/h), 20-passenger trains. Delivered by Intamin.

Here's a ride themed to embrace the rebel attitude of those hot-rodding, flame-encrusted halcyon days of youths burning rubber on the strip in their ’57 Chevies. Yet this ride's opening epitomized proceed-with-care deliberation and launched to the strains of the most patriotic of phrases.

At the last minute Xcelerator's debut ride—promised to high bidders in a charity auction for the Boys and Girls Club of Buena Park and the Speech and Language Center of Buena Park—was pushed back two days from the announced date of June 20 to Saturday.
“The real delay was some additional testing we wanted to do prior to the state inspectors coming in, primarily with the hydraulic system” said Vice President and General Manager Jack Falfas of the prototype launch mechanism. “In fairness, with the scrutiny that’s out there, everybody wanted to make sure we did everything right, ourselves and the state.”

The California inspectors descended on Friday, and waved the green flag at 3:01 p.m. (15,01) on Saturday—just one minute after Falfas and the state’s chief inspector launched out of the station for the half-minute ride. Immediately after, the 38 auction winners—who raised $10,500 with a top bid of $2,200—loaded up for their rides. The debut ceremony, played out before local government officials, construction contractors, print media and representatives of the two charity organizations, cut to the chase.

“Jack wanted to center the first ride around the auction winners,” said Susan Tierney, Knott’s director of public relations. “He didn’t want to hold up the launch with a bunch of ceremonial stuff.” That ceremony comprised only the U.S. National Anthem, traditionally played every day at the opening of all Cedar Fair parks, but for the first time marking the opening of a Cedar Fair ride. “We thought it would be neat to do it when an attraction opened,” Tierney said. “The train launched right at the end of the National Anthem; it was perfect.”

Confetti and streamers rained on the attendees, who then lined up for their own rides. The public finally got on just after 6 p.m. (18,00), including a handful of American Coaster Enthusiasts left over from the annual ACE Coaster Convention earlier in the week at Knotts. The enthusiasts had agonizingly watched the ride being tested and Knott’s employees getting previews, all the while watching their own chance at exclusive ride time on the coaster slipping away.

For most riders Xcelerator was worth the wait. The hydraulic launch sends the trains smoothly down the track reaching 82 mph in 2.3 seconds. They rise up a 90-degree tophat hill, twisting on a 90-degree axis en route to the peak. En route back down the train turns again, threading the needle of supports on its way toward a pair of high-speed, over-banked U-turns. The ride lasts half a minute; the pounding heartbeat and breathless laughter lasts significantly longer.

“My first time?” said Falfas. “Usually there are so many concerns: is it going to be accepted, is it a good ride, a great ride? My first time out I thought, ‘Boy is this launch long.’ It seemed like you were on that launch for a long time, and my eye was really focused on the tower, at where we would head straight up. And then when it went up, I was so elated, looking out at the city. And then it just dove down and I didn’t think about much until I rode it again.”

At a cost of $13 million, Xcellerator gives Knott’s another world-class coaster to go with the woodie fave Ghostrider. For Falfas, this one has particularly special meaning, aside from its hot-rod theming that hearkens to his youth and the thrilling sensations that heartened his spirit. “I finally have a midway and steel ride,” said the longtime Cedar Fair veteran. “I finally have something like Cedar Point.” Truly, he has something unlike anything anywhere.

Print this article

Comment on this article

Back to top

The LA Zoo didn't overlook any need when it built a new center for its veterinary staff. Photo by Eric Minton.

It’s an animal health center!
The Los Angeles Zoo in Los Angeles, California, announces the arrival of the Animal Health and Conservation Center, June 27, 2002. Measurements: 29,000 square feet total (8,788 square meters) including a 5,500-square-foot (1,667-square-meter) holding area, 5,750-square-foot (1,742-square-meter) hospital, 5,500 square-foot (1,667-square-meter) quarantine area and 4,728-square-foot (1,433-square-foot) commissary. Delivered by architects NBBJ.

To say the rest of the zoo staff is jealous is an understatement. Dr. Bob Cooper and his team of three full-time and two part-time veterinarians yesterday officially moved into their new digs, a dramatic modern building wedged into the side of a hill at the back of the Los Angeles Zoo. The $13.4 million center features a radiology suite with table and wall-mounted X-ray equipment and even dental X-rays, intensive care units with moveable walls, and general purpose rooms that can handle everything from aquatic animals in pools to monkeys needing climbing structures.

City Councilman Tom LaBonge appropriately brought a loaf of bread as a housewarming gift for the new hospital. After the official dedication before a crowd of donors, city officials, Friends of the Zoo and envious zoo staff on a beautifully breezy summer day, the entourage moved indoors to tour the building. Though some animals are already using the quarantine area, the hospital received its finishing touches—mostly decorative matter—in the hours leading up to the dedication.

Print this article

Comment on this article

Back to top

Elephants roamed freely about their new savannah (above) while lemurs got new year-round housing at their old enclosure (below). Photos by Eric Minton.

It’s elephant and lemur exhibits!
The Indianapolis Zoo in Indianapolis, Indiana, announces the arrival of the African Elephant Preserve and a Ring Tailed Lemur building, June 22, 2002. Measurements: African Elephant Preserve, 2 1/2 acres (one hectare), a 15,000-square-foot (4,545-square-meter) holding building, two yards of 64,000 and 17,000 square feet (19,394 and 5,152 square meters), two exercise yards of 4,400 and 5,800 square feet (1,333 and 1,758 square meters), a 6,200-square-foot training yard, a 400,000-gallon pool (1.5 million liters) with a 15-foot (5-meter) waterfall, and two mudholes courtesy of the elephants; ring tailed lemur building, 1,030 square feet (312 square meters) with three lemur holding pens and one flamingo room.

The zoo that won awards with its African elephant breeding program—successfully birthing two calves from artificial insemination—now has a long-awaited home for the celebrity residents. Capable of holding up to 11 adults (the zoo currently has five adults and the two babies), the $7.8 million preserve gives the elephants a sloping savannah on which to roam and a crystal clear pool of water, thanks to a full-scale filtration system.

That pool of water could lead to another major contribution by Indianapolis to other zoos. The water drains to a cistern and goes through a prefilter to skim large elements like straw, then through two large sand filters. The water is chlorinated and treated with muratic acid then pumped back to the pool via the waterfall. “A lot of this is new to us,” Keith Schnell, the zoo’s director of facilities said of the water system. “We’re learning as we go.” The elephants have resided in their new home since the beginning of the month, but the water is refreshingly clear, and the elephants have already formed mudholes on the pool banks.

While the elephants moved in to their new home early this month, the zoo waited until Saturday to celebrate the Preserve’s opening to coincide with the public debut of the renovated lemur exhibits flanking the zoo’s central cafe. On the island where gibbons once resided, the zoo moved in two species of lemurs new to Indianapolis, the blue-eyed black lemurs and red-ruffed lemurs. On the opposite side of cafe’s outdoor dining area, the collared and ring-tailed lemurs moved into their new year-round home that they share with pink flamingos. A wood flamingo holding shed had been torn down and a new cliff-facade holding house built in its place with three rooms for the lemurs and one for the flamingos. This will allow the zoo to keep the lemurs on exhibit year round, rather than removing them to off-exhibit holding pens for the on-again-off-again winters of central Indiana.

The zoo took a low-key approach to the official unveilings, foregoing formal ceremonies for a packed schedule of meet-the-keepers programs at both exhibits. Public Broadcasting television’s costumed star Zoboomafoo was on hand to honor his fellow lemurs and thrill his young fans. “When we first put lemurs out in the zoo, no child in the world knew what those things were,” said Karen Burns, vice president for external relations. “When were were opening the exhibit Saturday, the kids were going, ‘Lemurs! Lemurs!’ They knew what it was, and I think the Zoboomafoo creature had a lot to do with it.”

The two new exhibits certainly struck a chord with the community. Burns said more than 6,000 people visited the zoo Saturday. “Given the fact it was a 90-degree day, it was a very good turnout.”

Print this article

Comment on this article

Back to top

It's a roller coaster!
Warner Bros. Movie World in Gold Coast, Australia, announces the arrival of Scooby-Doo Spooky Coaster, June 17, 2002. Measurements: 17 meters high (56 feet), 530 meters long (1,749). Delivered by Mack.

When a blockbuster-to-be movie is filmed right next door, who wouldn't grab some of the glory, not to mention some of the props? Desiring to build an indoor coaster and looking for something to replace its Gremlins ride, which opened with the park in 1991, WB Movie World grabbed the opportunity of the filming of Scooby-Doo in the studios adjoining the theme park to make the changes it long desired.

In doing so, the park accomplished a marriage of many forms. The Mack Mouse starts off with a long run through several scenes typical of a haunted house or dark ride, with swinging axes and monsters jumping out at the cars. A quarter of the way into the ride, the car's ascend a vertical lift and roll down the first drop backwards. The continue up onto a turntable, where they rotate and continue the rest of the hairpin course in traditional manner, albeit all indoors.

"We were able to use the same people involved with the movie to assist with the theming of the ride, and used a number of the actual artifacts from the movie on the ride," said Steve Peet, CEO of Warner Village Theme Parks. Several of the park's rides carry out movie themes, but not to the degree Scooby-Doo Spooky Coaster does, which nearly replicates a coaster Sarah Michelle Gellar as Daphne rides in the movie. "It was very, very easy to convert the imagery of that scene straight into the ride itself," Peet said.

When WB Movie World was deemed the ideal place to give the movie its Australian premier, the occasion also served as the perfect moment to premier the ride. The gala night attracted key tourism and entertainment officials, Linda Cardellini who plays Velma in the movie, and the big star himself, Neil Fanning, the voice of Scooby and a performer in the park's Police Academy Stunt Show.

"Unbeknownst to us, he did the voice of Scooby-Doo," Peet said. Fanning first was hired to help the movie with coordinating locations, including the Warner Village's Wet 'n' Wild waterpark, which served as a setting for the mythical Spooky Island Theme park, but his talents became obvious to the producers who cast him as the lead vocal role.

Print this article

Comment on this article

Back to top

It’s a 3D movie!
Santa’s Village in Jefferson, New Hampshire, announces the arrival of Christmas Chaos, June 16, 2002. Measurements: 8:38 time of movie, 300 seats. Delivered by PowderKeg, Inc.

Christian Gainer, as vice president of operations at Santa’s Village, had often visited Orlando, Florida, and often seen the stunning 3D movies produced for the Universal and Disney theme parks. As he pondered what new production to put in his park’s theater, he theorized that many of the guests who visit the rural New England amusement park have not seen 3D movies. He was right.

“When that list comes out and starts tapping people on the head, there’s an immediate reaction,” Gainer said. The list is Santa’s delivery manifest which, in the movie’s climax, is accidently sprinkled with flying reindeer dust and begins flying through the air. Santa shouts to the theater audience to help him get his list back, “and the children start swatting at it,” Gainer said.

Aimed at children, the movie has a moral. Santa’s new head elf, L. Fastidious Tinkerdoodle, convinces his boss to modernize operations, improving efficiency through computer technology. When things get hectic instead and that all-import list goes missing, Tinkerdoodle has learned his lesson: that one shouldn’t try to change the magic of Christmas.

If there is any irony in this message being delivered in the form of one of entertainment’s newest technologies, it is lost on the children who fill that steep-graded theater swatting at an illusion.

Print this article

Comment on this article

Back to top

It’s an interactive play structure!
Wild Waves and Enchanted Village in Seattle, Washington, announces the arrival of Hook’s Lagoon, June 15, 2002. Measurements: 4,000 square feet (1,212 meters), 40 feet high (12 meters), 11 slides and a 295-gallon bucket (1,121 liters). Delivered by Whitewater West.

In keeping with the pirate theming of Wild Waves’ new play structure, the amusement park celebrated the public debut of Hook’s Lagoon with some buried treasure. The park partnered with a local television and radio station to stage the “Grand in the Sand” contest, burying 30 Pepsi bottles in the newly landscaped area’s imported white sand. Every bottle contained a prize, including one with $1,000. The 30 contestants were chosen through an in-park sweepstakes, each lining up to dig up the buried treasure one at a time, opting for single-file searching over a mass dash of digging. “Safety is a priority,” said the park’s Director of Marketing David Dorman.

Hook’s Lagoon is one of 10 new attractions going into the newly-acquired Six Flags, Inc. park, which also introduced two new themed areas, The Great Northwest and the Old West Territory. Two rides are yet to open, the Lumberjack Falls shoot-the-chute and an Octopus, both of which Dorman said should open later this summer.

Print this article

Comment on this article

Back to top

Long Beach helped humans and sharks reach across the great barrier of misunderstanding with its new touch pools. Photo by Eric Minton.

It’s a shark exhibit!
The Aquarium of the Pacific in Long Beach, California, announces the arrival of Shark Lagoon, June 14, 2002. Measurements: 10,000 square feet (3,030 square feet), three pools totaling 90,000 gallons (342,000 liters), 140 sharks, 13 species, one interactive play area, one cafe, one gift shop and one theater.

Many aquariums and zoos navigate a dual course when it comes to exhibiting sharks. The hyper-mythical fierceness of sharks makes for a sure-fire marketing tool that entices crowds to view what pop culture has positioned as man’s evilest enemy in the wild. The mission of zoos and aquariums, however, is to promote understanding and conservation of these endangered sea creatures.

The Aquarium of the Pacific has taken a novel approach to this dilemma with the world’s first full-scale shark touch exhibit, the largest capital improvement in the aquarium’s four-year history. Guests can get a feel of epaulette, bamboo and young nurse and zebra sharks in shallow tanks, then move around to a larger tank to watch adult zebras and nurse sharks, sand tigers, sandbars and whitetip reef sharks, plus a couple of rays, circling through the water.

“It’s a touch pool, not a petting zoo,” said Aquarist Michael Howard. Docents are on hand to coach guests on how to feel the sharks, with two fingers in a light stroke down the back: no grabbing, pinching or pushing. “We monitor everybody to make sure they don’t stroke them continuously,” Howard said.

Choosing species of shark for a touch pool necessitated a few additional criteria for the aquarium staff. The sharks needed to be small enough to live comfortably in the shallow pools but hardy enough to endure manhandling—or, more to the point, childhandling. They also needed to exhibit a peaceful demeanor; the bamboos and epaulette generally stay inactive during the days, and except when they are mating the sharks don’t tend to be aggressive with submerged fingers and hands, Howard said.

Shark Lagoon now enables the aquarium to answer an oft-asked question among patrons: where are the big sharks? Large crowds turned out for the Friday public opening that came two days after aquarium management and local officials dedicated the new exhibit with due decorum under sunny skies. Long Beach Mayor Beverly O’Neill officially dedicated the touch pools by introducing the last resident bamboo shark into the water. Then, four keepers carried the last sand tiger shark to the large tank.

In addition to the three shark tanks, the exhibit includes an oversize squid trying to avoid attack from a shark. Both serve as climbing structures for kids, who get a hands-on experience on how the squid can defend itself. “Squids squirt ink, but for obvious reasons we use water,” said Marilyn Padilla, the aquarium’s public relations coordinator, pointing to the stream of water keeping the children on the shark at bay. Taking advantage of the new crowds gravitating to what was an outdoor verandah of the aquarium, a just-opened sgift shop sells shark-themed merchandise, a theater stages shows about sharks, and a cafe provides for human feeding frenzies. “If seeing the sharks eating makes you hungry you can go there for a snack,” Padilla said.

Despite its novel approach to exhibiting sharks, the Aquarium of the Pacific does not regard its new exhibit as a novelty act, Howard said. He has noticed many guests reading the accompanying educational signs, and he feels the closer-than-ever contact with sharks does help create better understanding of these creatures. “At the very least people are learning what sharks feel like,” he said. “I think it’s a great opportunity. I still get a little nervous because people can get rough, but the benefits far outweigh those issues.”

Print this article

Comment on this article

Back to top

It’s a whale demonstration!
Six Flags Worlds of Adventure announces the arrival of Shouka, May 28, 2002. Measurements: 15 feet, 8 inches (5.2 meters) long, 5,000 pounds (2,250 kilograms).

The 9-year-old female orca from France arrived at the former SeaWorld Cleveland’s Shamu Stadium—now simply called Whale Stadium—in mid-May, bringing the popular animal back to northern Ohio for the first time since Six Flags bought the park in January 2001. The media met her in a satellite tour May 28, and shortly after she began doing training presentations on a regular daily schedule. Park officials have not determined when they will start staging full-fledged orca shows, and do not know yet when Shouka’s companion, the 10-year-old male Kshamenk, will arrive from Argentina, said park spokeswoman Kim Stover.

Print this article

Comment on this article

Back to top

The "Bad Bears" of Black Bear Jamboree found the good life in scaring some housewares out of campers. Photo courtesy of Sally Corporation.

It’s an animatronic dinner theater!
The Black Bear Jamboree announces its arrival in Pigeon Forge, Tennessee, May 22, 2002. Measurements: 730 seats, nine menu items, 125 service employees, 20 cast members, six musicians, and six animatronic bears. Delivered by Sally Corporation.

David Fee had a tall order to fill. On March 1 he took possession of the Glasgow Theater in Pigeon Forge, a venue that had laid dark in bankruptcy for two years, and planned to have a dinner theater running by Memorial Day at the end of May. “I had in my mind what we wanted to do, so we hit the ground running,” he said.

His biggest challenges: hiring good employees, “ones that will stay, ones that know what they’re doing,” and signing up six bears who could act. “We knew we wanted to do the bears, but we didn’t know who the supplier would be. We didn’t come upon Sally’s name until March, but it became obvious that Sally was the best in the industry. Our biggest thing was time. ‘We need this thing in three months, can you do this job?’”

Sally said yes and custom built six animatronic bears ranging from four to nine feet tall (one to three meters), three “good bears” and three “bad bears” who live in the Smoky Mountains and interact with the live singing and dancing performers. The bad bears do nothing more sinister than steal baseball caps and campers’ coolers but they do so with a convincing growl, while the good bears merely enjoy their natural environs and try to learn singing from the rest of the cast. “We wanted bears that are believable,” Fee said. “Not realistic; we didn’t want taxidermy bears, but we didn’t want Chuckee Cheese, either.”

The bears have yet to enjoy a red carpet opening night. Upon opening his doors for his first show four days before Memorial Day weekend, Black Bear Jamboree was sold out, Fee said. “We had 1,400 people a day right off the bat,” he said of the twice-a-day shows, which will expand to three shows daily in July. Fee, a veteran of the Pigeon Forge entertainment scene, anticipates the load will lighten in August, allowing him time to do a proper premier. “Come the third week of August we will have a grand opening,” he said. “I’m not much for tuxedos anyway.”

Print this article

Comment on this article

Back to top

 

 

For more information on the facilities and organizations featured in this newsletter, visit our Connections Page.
click here