Volume 2, No. 19.   October 11, 2002

 

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Getting younger with time
In one day, Disney’s California Adventure skewered its demographic average down about five years or more.

In planning the Anaheim, California, park, Disney’s imagineers aimed for an older audience than neighboring Disneyland traditionally drew. But almost immediately upon opening in February 2001 (THE LOOP, February 9, 2001), California Adventure drew criticism from the general public that the new park didn’t have enough for families.

“Our guests told us, ‘I want more for my little kids to do,’” Cynthia Harriss, president of Disneyland Resort, said. “So we listened, and I think we’ve done a pretty good job on answering that question today.”

That day was Monday when the park celebrated the grand opening of Flik’s Fun Fair and a revamped Bug’s Life thematic area (see New Arrival story). That event was followed by a preview of the new show “Disney’s Aladdin—Live on Stage” opening December 9 at the park’s Hyperion Theatre. The preview featured composer Alan Menken playing a medley of his Disney hits on the piano and a segment of a new song he wrote for the show followed by a press conference with live satellite feeds from Paris, France, of the show’s director Francesca Zambello and from Pittsburgh, Pennsylvania, of choreographer Lynne Taylor-Corbett.

That ensemble of theatrical talent will undoubtedly create a true Broadway experience in a 40-minute theme park show. “I see a lot of opportunities by bringing theater into the theme parks,” Menken said. “When Beauty and the Beast was brought to Broadway one of the things it did was bring a new audience into the theater, and the opportunities in the parks are the same. You can introduce serious theater craft in a new context.”

Later that afternoon Cynthia Harriss announced plans to install a production of “Playhouse Disney—Live on Stage!” at California Adventure. Already playing at Disney-MGM Studios in Orlando, Florida, the Disney Channel production features popular children’s characters from the shows Rolie Polie Olie, Stanley and Jim Henson’s Bear in the Big Blue House, all of whom showed up for the announcement to the cheers of guests crowded against the cordons.

Notably, rather than occupying the park’s Hollywood Backlot Stage the Playhouse show will take over the building currently housing the ABC Soap Opera Bistro. “The guests liked it,” Harriss said of the restaurant utilizing sets and props from daytime television soap operas, “but it wasn’t our most popular restaurant. And, frankly, having Playhouse Disney here was more compelling, and the Bistro is the perfect room for it.”

That move alone illustrates how much Disney is lowering the age demographic of its newest American theme park. Yet this is not to say the company is surrendering the teen and young adult market to the thrill-ride-oriented theme parks up the road. Physically looming over all of Monday’s proceedings was the skeleton frame of the park’s next major attraction, the Twilight Zone Tower of Terror opening in 2004.

 

 

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